Left Handed Love


When one is left handed, it means they must write from their heart. The heart, in the left side of their chest, is attached via marionette string to the writing hand. Whatever they do breathes, smells of nice blood, the scissors they hold in their left hand can only cut half circles: the arch of the rainbow.

Out of the four left handed people I know, I love two. That’s fifty percent. Fifty percent of all left handed people are lovable, definitely.

Inside Mother’s womb you must have licked your left hand more than the right, held it close to your mouth. This makes for a favored hand, the licking and holding close to the mouth. This proximity to the mouth.

Sinister comes from sinestra. As if the left were a terrible cave, a set of red-pupiled eyes, a grey streak in the black hair. Destro is right and skilful. I am right handed, but I don’t feel right. I feel sinister when your left hand is not in my right.
Ninety three percent of the world prefers the right hand, but my love is so Southpawed, so Southern, so South. My love lives in the part of the pie chart that looks like an icepick.

These presidents wrote with their left hands: Ford, Reagan, Bush, Clinton, Obama. McCain didn’t win, but he was left handed, too. Many laws have been passed because of left hands. Must have been hard to make signatures, really, when those left hands were moving in the shapes of half moons, guiding the solar system, beckoning the sun.

The right-handers use analysis. The left-handers use synthesis. If there were one thousand pieces of popcorn laid out on the floor, you would be able to find the blue kernels by looking at the whole picture. The right-handers would be sitting in that gymnasium for months, analyzing each stale piece of the Friday night feature.

Will you favor me if I put myself in close proximity to your mouth? Will you flip my pancakes with your favored hand? Will you use synthesis to find which parts of me are blue?

Your problems in the world are great. The Japanese cooking knives. The scissors. The trumpets. And all of the abuse they have put you through! They forced generations of you to convert to the right. They handicapped your very development. They put you in the back of the classroom, called you cackey-handed, made you peel potatoes when it was tough. But there is one thing built for you: the sextant! Find this celestial object on the horizon! You can navigate these stars better than anyone.

The right-handed teacher is confused when instructing the left-handed student. His letters appear backwards to her, inverted. His hand presses into the binding of his notebook, making red rings appear on the cusp of his hand.
May I navigate the solar system of your hand? May I put myself in close proximity to your sextant? Will you govern (sign petitions against) the sour parts of my analysis?

The rifle is supported by the right shoulder. Fired with the right hand. But the good things, like the cigarettes, are held in your left. The wine glass, too. The cup of coffee and the French fry. The pencil and the pen that insist on using cursive well into their adulthood.

Getting the desk with the left-handed arm piece was terrible and shameful.

The Scots said corrie fistit. The English said two left feet. The universe calls you clumsy, awkward, immoral. Your left hand must have been in close proximity to your ______. Your _______ must have been in close proximity to your _______.

You are visual simultaneous.

You are A Brain That Works A Little Bit Differently.

You are my president.

Can I buy you a Yashica Samurai? It is a camera that can be used with both hands. Sometimes, when a left-handed boy uses a right-handed camera, his hands can shake and the picture can blur. If you used my Samurai to take pictures of me naked, maybe then you’d have a second chance.

You are my navigator of Southern seas, my fifty percent, my synthesis. You are sitting alone in the room and your arm fits nicely on that arm piece there on the left side.

Reflections, Argentina

I visit the sprawling and shallow land-lake of Argentina. Long stretches of nothing between cities, abandoned antiques. My very first boyfriend had got me convinced that traveling was the way to get worldly experience, which he implied I didn’t have. He always kissed his mother, he visited Egypt at age eight, and later he learned to manage hotels. He was built on the strong ideals of duty and work, lived by that American assertion that we should all see other places, and not only see them but live in them; he is currently catching waves in Morroco. I loved him and wanted to be impressive. I moved to Mexico for a while. Then I became flighty and near-sighted, decidedly un-grounded and naturally irresponsible; I avoided home and circumnavigated. I became a good story teller. Like the story about Maurizio taking photos of my ass when I am sleeping in his country house in Mendoza. How I leave the next morning while he is still sleeping after discovering the nudie pictures on his digital camera. The first bus out of town takes me down to Bariloche. Of all places. Not that it is a place to say “of all places” about, really. It is full of crisp air; it is the chocolate capital. The mountain ranges are picturesque.

And then in Buenos Aires I rent a room with 20 foot ceilings for the equivalent of 250 American dollars (the dollar is up three to one at this point, I live in a falsely inflated state of grandeur) and I spend my time doing X (wearing a nightgown for an authentic, pre-peso collapse effect, padding around the house), Y (shopping at boutiques in the ritzy neighborhood of Palermo – Argentina hadn’t gotten the memo about expensive jeans yet, so I buy three pairs for cheap), and Z (breaking my previously righteous vegetarianism to eat four dollar steaks). I avoid the traveler’s ABC’s : A. museums, B. reading up or C. finding a Latin boyfriend who could potentially teach me conjugations of the verb to come, under the guise that “I am not a traveler, I live here.” Knowing: I do not mean to stay here forever.

I anticipate my return to the United States. Especially at night. The pillow cases in Argentina are made of that creepy kind of silk that doesn't soak up drool. Your head slides around while you dream.

Upon return: I attend a lecture held in a California College of the Arts lecture hall and led by Argentine aritist Claudia Bernardi (October, 2008) that focuses on Argentina’s disappeared population. Claudia tells me about September, 1976. This is the month and year of the night when seven Argentine youths, dubbed “subversive” for their unthinkable request of a discounted bus rate, (these sorts of kids were blanketed as “bearded, immature idealists” by Peron, the then-dictator of a country whose land mass is eighth largest in the world but whose capital city is so isolated from the rest of it and whose political economy is so fucked that it eventually became, as seen on encouraging travel websites “the city of faded elegance”), were captured, tortured, raped, and eventually murdered under the Policia de la Provincia de Buenos Aires, led by one Ramon Juan Camps who himself was found to have committed some 214 kidnappings, 120 cases of torture, 32 homicides, 2 rapes, and 2 abortions (induced by physical torture), besides. These and all of the other missing peoples (there were around 30,000 of them between ’76 and ’83), are known as the desaparecidos, or “the disappeared.” Bernardi shows us an art installation where the faces of the desaparecidos are projected on someone’s ethereal vintage nightgown, their sad faces mourning their own deaths. And this image makes me cry, cry and this image makes me fret on my absent political curiosity that seems to disobey my instinct for care; I had not known about any of this when I was living in Argentina. Being a good story teller did not matter when I didn’t know the story. I do not read newspapers from 1976 and I do not take notes about the now.

Anyways, there are human rights experts on the case, people who dig up bodies and box them in fruit crates for categorization. There are acronyms I consistently avoid that stand for Humanitarian Something Or Other and Commision Nacional de Blah Blah Blah. I read Salvador. Didion talks of visiting body dumps in El Salvador, a country with a similar quotient of desaparacidos due to civil war, as a “kind of visitor’s must-do, difficult but worth the detour. ‘Of course you have to see El Playon.’” I saw nothing like the El Playon of Didion’s description in Argentina, no heaps of bodies, no disfigured limbs or vulture-torn eye sockets. For one, Argentina was not El Salvador (did whatever European elegance Argentina pined for create the need to cover things up a little more? Hide the ugliness a little bit? Or was I so blind…) and for two, I did not know what to look for. I was very busy crushing on a German-American who could not keep his hard-on during a lightening storm.

Bundle this up with the other ways I have fallen culturally short: how I rode the treadmill during Barack Obama’s inauguration speech (wondering if he uses one of these machines as I do or goes jogging, as Clinton did; I picture his legs in shorts), and when he was elected how I used the subsequent party/riot at 19th and Valencia as a way to hook a date, all the energy serving my sexual purpose quite nicely; and the times I pretend to know authors or artists when I don’t, just a nod of the head does the trick; when I lived in Europe but skipped Paris and went to London and skipped the Tate; when I forgot to cry when my mother was diagnosed with breast cancer and only did so later when she was well again; when I use student loans to pay for parties and my grandfather’s inheritance to buy condoms – and you can see how the pattern goes, you can see how I might not have noticed the disappeared populations or the remnants of them – Plaques? Preserved bedrooms? Display cases in the backs of museums? – when I lived in Argentina for two months of American cinema and cockroaches and all of the other things that might avert one’s gaze from the eyes of those who have lived there long enough to note if something has disappeared or whether it remains.

“As many people as necessary must die in Argentina so that the country will again be secure,” said Jorge Rafael Videlas, the primary leader of Argentina’s military government during the years of the Dirty War (called Dirty because it is meant to make things clean; think secure, think pure, think genocide.) The dust in my San Telmo apartment is thick and hard to sweep. The cockroaches and mice scuttle during the night. I seem not to mind, mostly because I do not feel a responsibility to the house. In a couple years, when I settle down in a real place, I will use mousetraps and Raid to get rid of such pests. I am happy to be detached, not to have a cell phone, not to have the internet in my house. Later I will wish I had google searched The Dirty War. Later I will hear gunshots in my sleep, stalk youtube clips of Hector Olivera’s film about the student protests and kidnappings, and try to write a fiction piece from the point of view of one of the female students (the polica grab me, I fight but they are too strong, oh, no, Dios! No me mata!) who is captured and raped. Nothing will work because I wasn’t there. This means I cannot do history justice, and that it might be pathetic of me to try. But I owe something to Argentina – it gave me so much! Las pampas, moon-crater territory, protein in the form of grass-fed steak, luxury bus tour, ferry ride to Uruguay (how easy to escape the country), men with shiny hair and lusty appetites for my blonde, the practiced tango – and I do not say any of this deprecation in order to suggest that I have surpassed my former self, but only to be witness to that self – when summer leaves Argentina I will follow it North.

Cutie Heat

If you are wondering why there haven't been any blog posts lately, its because we have been fully involved in a little project we like to call Cutie Heat. Cutie Heat is a band. We sing and make noise. Check it out at:

www.myspace.com/cutieheat